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Remember



Spellbound, Alfred Hitchcock, 1945, USA, Gregory Peck, Ingrid Bergman, Michael Chekhov.

Hitchcock's return to United States after his collaboration with the British government for which he filmed two propaganda shorts about the French Resistance , meant to meet the contractual obligations owed to David O ' Selznick, the producer who had spent years prior to that país.Y as among the projects it included a film about the psychoanalytic method by which he had been treated to "Hitch" will take a hit term.

Based on a novel by the late 20s and in collaboration with Ben Hecht in the script amen of professional advice E May. Romm , the film part of an interesting premise and presents some ideas routinely present in the work of director such as guilt and / or repression, but despite this and even managed to deploy a significant visual style supported photography George Barnes and crowned by the famous and legendary dream sequence designed by Salvador Dalí (with a disturbing and weird texture), You can be considered a film lower in the whole work of virtuoso director.Su and aging is evident not only in a somewhat naive approach to the treatment of psychoanalysis (may be the first film in clearly do) with an excess of dialogue unusual Hitchcock since this is appreciation of visual and audio resources used routinely, but for some details for the modern viewer is conceivable (see Gregory Peck and Ingrid Bergman skiing with fancy clothes are amazing, the famed plane subjective final gun unlikely to turning angle for the wrist of the most renowned contortionist is also unlikely although admittedly the brilliant discovery of the fragment in color).


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Notwithstanding the film shows details of the genius of Hitchcock such as symbolism to express feelings of the characters (the plane doors opened) and the building of suspense (the scene razor), and shows the action so characteristic of the director's use of detail or level of subjective point of view (through the glass of milk), all elements that had been working and that would polish their next film, shot with greater creative freedom: Notorious . Remember Also find a singular importance of the love story complicated by mental or sense of duty among the protagonists, as happens in that Notorious or Vertigo, anticipating a significant piece of filmmaking "Hitchcock" in its highest stage maturity achieved in the decade of the 50, but in Remember romance depth does not reach the heights it achieved in other Hitchcock films , especially in the starring Cary Grant - perhaps non-existent chemistry between the two main characters ( Peck - Bergman). Nor does the story of redemption and personal growth of the protagonist male is satisfactorily resolved by your hasty conclusion.



therefore this is a product unequal yet not be the most important highlights of the films of Hitchcock , it is recommended to enjoy, once again, the visual universe here unfolds Master with some details that elevate the quality of the final despite its irregularity film.A Remember commercial success and garnered noteworthy that in the Oscar-winning soundtrack, the work of Miklós Rózsa is used for the first time in film history The Theremin , radio-electric instrument that works through electrical circuits by the approach-withdrawal out of hand but there is no physical contact between the person and player.

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Only Angels Have Wings



Only Angels Have Wings Howard Hawks, 1939, USA, Cary Grant, Jean Arthur, Thomas Mitchell.

The splendid ode to friendship in this movie firm Howard Hawks must be one of the most deep and emotional that have rolled jamás.De extreme sensitivity Only Angels Have Wings fits naturally within the corpus Hawksiano "delves into key issues as developed throughout his work filmografía.Una which highlights their ability to roll films of any genre to be a pioneer in some of them ( Scarface, 1932, violent criminal foray into film) and reaching the highest levels in others (the same Scarface, the hilarious comedy The Bringing Up Baby , 1938) succeeded in developing a clear personal imprint under the rule of the studies through a lively style and quick with a camera and undetectable sober, far from other great directors like his contemporaries Hitchcock, Ford or Welles with a visual mark but the universe acusada.No "hawksiano" is readily identifiable, and, on this occasion, film one of his most personal, not only to include autobiographical episodes ( Hawks was a lover of motor sports and became a pilot cars and planes) or adapt a story itself, co-written with Jules Furthman the script, produce and direct, but to compose a story in which the loyalty and camaraderie (authentic leitmotifs of his work) are the axis on which it pivots.

of the concepts of friendship, honesty and loyalty and how people face death in this film is that it reflects the vital nature Howard Hawks and his way of trying life.This understand the concepts of capital importance for filmmaker they are presented with an apparent lightness and superficiality but as the emotional depth of the film very hondo.La construction of a magnificent character played by Cary Grant is symptomatic of the issues raised throughout the story: the spiritual leader of the group is a understanding person, caring and selfless you have to disguise their true feelings under a shell of hardness in order to unite the community they represent the aviators and tackle their intended fatalism given the difficulty of the undertaking diariamente.El rushing drama death is taught without falling into sentimentality and the viewer is aware of its continued presence for protagonistas.A Unlike many director's films, this time the female character is limited to breaking into the male world of the pilots and try to take their code of ethics to be the romantic subplot of the film's least successful probably because the filmmaker is focusing its efforts on the approach of the values \u200b\u200bquoted on any matter, about this we can say that the appearance of a young Rita Hayworth , the role that launched her fame, the story does not turn into a possible love triangle but develops into a much more interesting such as the communication and understanding within a relationship.



entertaining movie, much more than an adventure story, in which Hawks succeeds in translating their concerns, as always with a touch of humor, and manages to capture the definitions of the ideas of loyalty and friendship (especially in the relationship between Carter and Kidd , so often displayed in his films) in addition to including a good story of redemption, star starring Richard Barthelmess silent in what was his re-appearance after a hiatus of three años.No forget aviation scenes truly remarkable for the time taken in an imposing mountain landscape plays a critical role in the film trama.Precisamente was rewarded with a nomination in the first official edition of the Oscar that reward these spectacular special effects scenes that demonstrate the capacity for innovation and anticipating Hawks, in this respect include the discovery of the coin tricks would be used by Bob Kane to define Dos Caras / Harvey Dent in the Batman comic (reason recovered by Christopher Nolan in adapting to the character held in 2008, The Dark Knight ).



Only Angels Have Wings won commercial success but spends more or less unnoticed by the magnitude of the releases that occurred the year of its release (the mythical 1939) and is an interesting product that serves as a pretext to see the work of one of the greatest directors yesterday , today and probably forever.

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Notorious



Notorious, Alfred Hitchcock, 1946, USA, Cary Grant, Ingrid Bergman, Claude Rains. Notorious

represents Hitchcock's filmography particular step of Rubicon in this film as the vital signs of the work of the director, and announced from the English stage, total charge prominence and are defined from conception of a visual universe itself and an exquisite use of film technique to a recurring theme as the choice between love and deber.En this regard Notorious is the most personal of the great director and giving a quantum leap to the date of realización.Mucho had to see the role of producer to the director assumed the mantle of RKO less study-study-because the levels of creative freedom which were enjoyed embodied in this work recognizable and inimitable style that through its minimalism and a seemingly cold tone tells one of the greatest love stories with sexual tension which have been run ever, a story of deep human emotions camouflaged with Mc Guffin of rigor and visionary as it is camouflaged uranium in wine bottles at a time which had not yet released the atomic bombs on Hiroshima and Nagasaki , though the film started shooting shortly after the bombing choice Mc Guffin occurred prior-.Qué would have happened if David O. Selznick had followed the head of the project will never be known but the sale of any package (story, director, screenwriter and lead actress) for RKO to raise funds with which to finance Duel in the Sun , led to Hitch take charge of production and overcome his previous film, under the command of the magnificent producer, Remember , which had as here written by Ben Hecht and role of Ingrid Bergman .

The technical virtuosity Hitchcock is shown in the use of environmental elements both from the point score (excellent score from Roy Webb , strong and melodramatic, but become important underlying) and visual (profusion of very first first plans, use of subjective camera to show the point of view of the characters) and excels in the famous plane that starts from the top of the stairs and ends in a close-up of the key in the hand of Bergman . The director's ability to create an economy of means with a remarkable depth of this film is amazing.



One of the biggest commercial successes of the year for RKO in adding more profitable, Notorious begins with a credits today may be outdated to the younger (more if compared with the recent Source as buildings that share both), not the passionate story that reveals, interpreted in addition to Swedish actress, by Cary Grant sublime-note the rigidity of his body language, and by a Claude Rains that embodies a "villain? prototypical Hitchcock : vulnerable and elegant, and is deceived in the conclusion of the film feel genuine concern and / or pity for him at the descent into hell represented metaphorically when accompanying the pair of lovers under the scrutinizing gaze of his fellow Nazis escalera.Una again by the "bad" hitchckonianos hide under a normal appearance (the Dr. Anderson is a man even caring) and The 39 Steps or With North by Northwest.



Notorious definitively developed many of the components of the Hitchcock film : the struggle between love and duty raised in London Girl and / or becomes more Sabotage depth and is presented in a Devlin repressed and bitter, the subjective point of view aimed at The 39 Steps and worked in Remember is perfected here and use the resources of the medium reaches a peak emerging in this area extraordinary work with the camera in this film it is reevaluated with each revision that is made of same.

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Destry Rides Again George Marshall, 1939, USA, James Stewart, Marlene Dietrich, Brian Donlevy.

in key Western comedy rolled to slipstream the impact of Stagecoach and noted for the satire of gender stereotypes and the investment of male / female to the point that the resolution of the plot Women play an active and crucial role, having also another high point in this direction (a fight between women) ... the active participation of the women may be explained by the collaboration on the screenplay Gertrude Purcell but in any case is an especially rare in the genre and so explicitly.



The unusual nature of the film is reinforced by the role of a hero who appears throughout the narrative against the use of weapons and to dialogue and calm temperament, but the expected transformation character suffers to resolve the dispute in question is hit and there is little explained, breaking down the entire value of the identity built along the story at the conclusion of the original approach, however filme.No is an added value of this film and an element stress and so is the meeting of two legends of the interpretation of the Hollywood film : a Marlene Dietrich low hours and the other James Stewart, in full consecration.

The film garnered great success of both public and critical re-launching the career of the German-born actress is correct in a role reminiscent of hatching (the Lola-Lola in The Blue Angel ) early decade and that he used to sing one of his famous songs: See what the boys in the back room Will Have . Precisely their participation and the same Stewart is another of the pros to approach Western this functionality different classic directed by one of those unknown directors but long way since the dawn of cinema, George Marshall, who specialized in Westerns and comedies and returned to the same story years later (Destry , 1954); argument that adapts a novel by Max Brand prolific little or nothing to do with it and that was previously filmed in 1932 in a film starring Hollywood's first cowboy , Tom Mix .

Stewart's debut in a genre that and it would be an icon passes for a simple fun, a sort farce of the genre that deserves to be seen as a curiosity to be a Western unusual release also served for Dietrich in cowboy movies and manages to entertain without more, becoming history in the background and more if takes into account the year of its completion, add branded by many as the best for the film "Hollywood" because it premiered such American classics as The Wizard of Oz , What The Wind , Knight Without a Sword or Stagecoach, which more than meant as milestones in various aspects and resulted in a definite impact in either direction.

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Arizona Shaft / Red Harlem Nights



Shaft, Gordon Parks, 1971, USA, Richard Roundtree, Moses Gunn, Charles Cioffi.

is not the first, it may be the best but it is certainly the quintessential blaxploitation or at least the best known product, which proved to kick off a series of films aimed at the emerging market for African-American audience the early seventies and, surprisingly, in this case achieved great commercial success becoming a whole "crossover" and still today enjoy the status of cult film ... and the detective John Shaft is a type built correctly from the charisma provided by the actor who plays him ( Richard Roundtree), the impressive soundtrack of Isaac Hayes and / or aspects that raise the quality of the result above - -well above the average Metro género.Sin doubt hit home with this movement to bring people of color and the accounts show: at a cost of half a million dollars revenue soared to 13 .

The first commercial film with all black protagonist is based on the character of the writer and screenwriter Ernest Tidyman white and under the baton of multifaceted Gordon Parks (the first black director to lead to a large studio) is erected on a representative rate at the time, black version of Bond or Bullitt (reads as advertising) and Harry , tough guy and manly he can with everything that gets in their way; Shaft is a charismatic hero, defiant and proud that does not hesitate to employ methods expeditivos.El explicit treatment given to the violence (although current standards used to not be surprised) began in those years and this film is a good example highlighting however, even more, the frank sex (interesting the presentation of documents sexual) coming to pose an interracial encounter.



The portrait of the underworld of a big city provided by the good use of the excellent locations and some air "noir" combined with a fast pace action and a script that respects the "tempo" dramatically in the beginning of the story but later decay to reach a final anticlimactic open but failed to lend the film a quality plus seasoned with the composition of Roundtree, in particular, the soundtrack to Hayes and results in a more entertaining film that does not interrupt digna.Un police and is at the height of other characters similar billboard filled the time and even a one point above them and a few of the righteous avengers who came, and come-later.

blaxploitation The most profitable history definitively clears the path opened by the same Gordon Parks (The Learning Tree , 1969) and especially by "Coffin" Johnson and "Gravedigger" Jones , a pair of tough detectives Harlem created by Chester Himes that were made into movies in 1970 by Ossie Davis (Cotton Comes to Harlem ), a path that signaled a more experimental films, raw and politically incorrect history directed, written, produced and performed by Melvin Van Peebles ( Sweet Sweetback's Baadasssss Song , 1971) whose rudeness problem for American society becomes more watered down so that the commercial operation of the MGM is accomplished in this cult film that puts a black man in the middle of the action, the leitmotif of a genre that had its heyday in the '70s with stereotypically different subgenera whose main ingredients and warns the film at hand : colloquial language, sex, violence, urban environment and of course a peculiar aesthetic of the decade (who likes find undoubtedly added value in the film). In any case, independently of the varying quality of this movie is obviously facilitated the advent of Spike Lee or John Singleton post and influenced directors who enjoyed great prestige at present, in this sense, Tarantino and Jackie Brown homage to the genre is certainly permitted, even Pam Grier recover who played with the Tamara Dobson female alter ego of John Shaft and Youngblood Priest in films of the genre.



Sea as a product designed to surround a new market or proclaims a community protest historically battered inserted into a key period of social evolution (the times Tommie Smith and John Carlos raised their fists were the same ) this story is as entertaining and nimble work given the high dose of action and germinated in gender, in addition, you should pay particular attention to how their seminal work provided it. The hard detective prototype presented is pretty decent and at times capture the essence and the environment by moving the Marlowe, Spade and the company of the most classic and pure "hardboiled."

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Ghosts, by Chuck Palahniuk

Although not a big fan of reading I must admit that I love this author and I have in hand to complete its work next to someone equally interested in it;)

Palahniuk has something that traps and know how attract attention with his speech and tells situations. We speak of a well seasoned writer outside of the El Club de la Lucha. In fact, I began my journey with Rant, the life of a murderer , written in the form of chronic oral, which touches on many genres and I left more than satisfied. But hey, that's why there may be another time.
Ghost
The concept is interesting, but before we sound. A retreat for writers in the coming together for various reasons many people who read an ad. The pretext is that they give free rein to their imagination and begin to write the best and most terrifying stories ever created, supported a total withdrawal, coexistence and the limited resources (such as GH).

In addition, the stories have that touch of realism, a touch autobiographical, with whom we suggest that they are experiences of those who write them and on which rests the narrative itself, that is, the stay and relationships of all the characters in the shelter, which must remain mandatory 3 months. Therefore, We know how to block all through traditional storytelling, about the writers in this retreat and stories, and it is fascinating to see how the stories are based on the narrative and vice versa. Here, Palahniuk continues to surprise by turning it over to what seemed a mere collection of stories.

As for the stories themselves, guts certainly takes the cake. Intentionally sure was one of the first to be placed in the novel to draw attention. Impact, transgress. And she succeeds. From there want more and more important to know, I guess, if there are more such stories. Want to know who will tell the following story, about what is, and what time of life it is attached. Then we have other very good stories, some moral or social criticism, and some other starting point of which is unnerving and brilliant resolution. There are even some split by parts (those of Ms. Clark) that again show that we have something more than a collection of stories. By the touch autobiographical continuity. For the unity of everything.

That said, we can find a review ... Big Brother, perhaps? I've noted before, but I leave it there, if to thank me for school and cool. Would have to think, this is quite the topic of fame that awaits these characters when they leave that place. Only instead of having to yoyas or Jorge Berrocal have a peculiar people with nicknames like Miss sneezing, San gutted, or the Earl of Slander. And that's another, the nicknames by which know and make known all the characters and hint at their stories, their experiences. And it matters more than they are for others, for us, that what they're called. Another minidot for Palahniuk, the characters and is well presented and developed, have their hobbies, their mannerisms, his personality ... and it's great that the assumption handicap that is driving so many characters are all well shaped and very interesting result. Must be good at that.

I was very pleased with his reading, though perhaps a tad more than expected last. Anyway, the record would read it again, thank you for the loan and is in it's honor. We will monitor the Palaniú with ...

Invisible Monsters ", perhaps? ;)

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Misfits: One of the big surprises of the tv

Something must have superhero attention. Especially in these times, in that beyond the various adaptations we all know, movies and series arise in which the concept of hero is something more real, everyday. Thus we have films ranging from The Protected to Kickass, and Special Defendor or TV series like Heroes overvalued, which in my point of view has failed to respond to both potential and so many expectations generated at the time.

The fact is, that for a good bit, there has been a British series with only 13 episodes under his belt and has been able to snack at the famous American series of superheroes. Right now is one of the most interesting of the TV and a revelation. Misfits has 2 seasons (the first of 6 episodes, the other 6 + second Christmas special) and is on track for a third. The episodes range from 40 to 50 minutes. And yes, hook the theme song from the Misfits

presents us a 5 outcasts, they are doing work of community service to pay for crimes that you commented. The fact is that after a stormy day realize that something has changed and receive extrños powers. The funny thing is that these powers are a bit on your personality. So Simon, a painfully shy boy will have the "gift" of invisibility, or Alisha, one of the girls, she quite loose, excite to the absolute limits to anyone who touches it.

Well, better not say much more but it is clear that a relationship linking these characters (Nathan takes the cake, along with Kelly accent, no doubt) and it's amazing the ability of writers to COCENTRA everything so well in 6 episodes the first season that lasts.

I look forward to the third ... In order not to miss these guys

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The Wizard of Oz



The Wizard of Oz, Victor Fleming, 1939, USA, Judy Garland, Frank Morgan, Ray Bolger.

film recreation of the world conceived by author L. Frank Baum a milestone in children's films still hard to beat in día.Puede like more or less, but the fact of the spell that has on small (and not so small) is innegable.Un both aged over the years, the aesthetic too "campy" in some respects (the costumes of the Munchkins ) but with undeniable merits considering the overall design production, this product Metro that catapulted Judy Garland is almost mandatory viewing for any fan of the most decorated cine.La are gorgeous, the special effects are amazing tricks of imagination (remember the much more limited means the time) and the turning of the magical sepia Technicolor is an unquestionable value of the film and not forgetting the original makeup worn by many characters. Promoted by

harvested by the commercial impact classic Disney Snow White and the Seven Dwarfs to the point raised in a home similar to the Witch Queen Stepmother by the brain of production Mervin LeRoy, childhood adventure that paraded a half dozen managers and a host of writers as well as the characters run or offer a few actors and actresses, has passed into history, test this is its appearance in popular culture (especially American) and / or its significance to the community homosexual.Pero above any other consideration The Wizard of Oz is one of the major paradigms of film study, overproduction the Metro-the most expensive up to that moment where every single detail are designed and implemented to give meaning and uniqueness to the product final.Todos members of the film functioned as specialized elements know their role in the machinery.

is amazing to discover that each costume Munchkin is different and is designed for that particular character as well as the makeup of each individual is, this example demonstrates the thoroughness in the gestation of the work and reveals the operation of the studies . Mervin LeRoy got surrounded by the roster of experienced professionals that are members of the producer ( Cedric Gibbons, Jack Dawn Adrian or each of them the most eminent in its field, the same Victor Fleming ) and involve in the project by producer Arthur Freed musical who subsequently develop a gender-relevant career and this became the key to understanding the success of the musical aspect filme.Las Harold Arlen Songs and "Yip" Harburg among which Over the Rainbow (all standard and a thousand times re-interpreted) and Herbert Stothart score managed to take two separate qualifying for Oscar and have become part of popular music.

Of the countless vicissitudes that occurred during filming (from the sad story of Buddy Ebsen going to play the Scarecrow at first and ended up in hospital for inhaling the aluminum dust makeup of your Tin Man to exchange with Ray Bolger losing the role to participate in the film or the accident that Margaret Hamilton provoked burns on his face and hands) or before it (the evidence with other actors, including interest Shirley Temple to play Dorothy ) and anecdotes ( Toto was female reality and already had on his resume with films like Fury, the invasion of the Munchkins who lived the study, penalties have passed some carrying the respective makeup or costumes) has written a great deal of literature and knowledge gives shows the interest generated by this expensive production over the años.Desde its premiere the work achieved a resounding success but their high cost is not allowed a great value for money, the characters were already very popular since the publication earlier in the century of the first novel in the Land of Oz and even circulated a lot of product merchandising for them, so the stakes were high but MGM was able to overtake and raise it to levels where the scope is difficult.



mention deserves the impetus for the celebrity involved the TV movie, premiered in 1956 on the small screen and despite the small number of color TVs in the film got such a shock that three years later was established as a tradition in U.S. their annual pass, a ritual that repeated itself in that country during décadas.La film is a sociological phenomenon in the USA and collateral, as cultural colonialism and despite not having reached such magnitude, in the rest of world ... the yellow brick road or the futuristic-Art Deco-medieval Emerald City are in the collective without doubt.

argument easy to follow narrated with simplicity and functionality classic children's adventure gets entertaining and it emphasizes the use of color in the set in the fantastic Oz, in this aspect the second feature of the Metro in Technicolor rabid was an oasis in the path of study rather reluctant to increase the cost of their products by using the process uneconomic at that time (even though the production has gone down in history as an example of the use of color, remember What the Wind), the reluctance is manifested in the following Music Arthur Freed, directed by Busby Berkeley and starring Mickey Rooney and Judy Garland , the Sons of expendable Farándula , shot in black and white and overwhelming success and that is the inclusion in the soundtrack of Good topic Morning .



Returning to the Wizard of Oz in describing the correct interpretations among which excels Ray Bolger, a dancer by his admiration for Fred Stone -the Scarecrow version theatrical turn of the century, was determined to assume the role for misfortune of Buddy Ebsen, what a pity that the musical number led by Berkeley which presents the character was eliminated from the final assembly to reduce the length of the film. Frank Morgan run multiple characters and Margaret Hamilton, for obvious reasons and not forgetting their artistic skills, a good witch (although it would have been interesting to see the original choice Gale Sondergaard, with makeup to be prepared to make it ugly.) A success

pointed to the credit of Mervin LeRoy , true alma mater of the project and who many infants of different generations would be a good bit of fun and Metro sac little later I would break the bank with What the Wind, "but that is another story."

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Urban Freestyle Soccer (Akklaim, 2003)

Among several arcade football I've had the opportunity to prove Urban Freestyle Soccer is one that best captures the essence of what should collect this type of security: simple from the first game, infinite possibilities.

The game offers us games teams of 3 players and the goalie in street courts, which often remind us, those streets that took advantage of any item to make it part of a football field.

When playing, we have the typical buttons pass, high pass and shot count with a series of special activities ranging from all types of dribbling and fantastic, special shots (to fill a power bar), tickets hard to get rid of a rival or take elements of the stage and throwing them to the opponent. We often take advantage of stage and throw the ball to bounce, us highway, goal to goal (filth) ... total, in every game, as we can see, fall goals either side, resolving ties, if just the regular time, the old fashioned way: who dial the next goal wins. Which reminds me Cokes we were betting in the arena or the people who fell Mahou then better equipped courts.

So, beyond the image of street soccer, which may seem imposed itself that embodies the essence of these games and not only that, but that's also fun. The game features game modes such as War Territorial which is like an arcade mode in which we eliminate our opponents in their fields, and so they can conquer the whole urban area. This is pick a team (usually identified as being different urban tribes) and to be winning games, while they give you points for improvement or watch if you beat a record (as the fastest goal goal or farther away).

can that after the departure of the Fifa Street (to see if I can ever put our hands) has been forgotten, but very recoverable. Maybe I can get to be repetitive, but outside the simulation of the PES or FIFA, we have a game apañao to take items in good company.

I leave a video game:

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Boeing Boeing



Boeing Boeing, John Rich , 1965, USA, Jerry Lewis, Tony Curtis , Thelma Ritter .

The famous play eponymous Marc Camoletti that even today it remains important in theaters has given rise to four versions cinematográficas.La before us, adapted by Edward Anhalt , is a comedy that excels in Jerry controversial filmography Lewis who is away from their usual excesses that can be considered a more "serious." In this film

Lewis evenly with his friend Tony Curtis , but not so friendly to put aside your ego known by both claimed that his name appeared first in the credits, a situation resolved an ingenious solution "falls short and the years of her duet with Dean Martin having reached maturity and creativity for which it has passed into history despite its many detractors ( The Nutty Professor, for example), here Lewis performs a role not just slapstick and that, indeed, is correct, the less gives a perfect replica Curtis whose character is a runner for much of the footage without rhyme or son.Y is that neither the script of that Anhalt or the direction of John Rich TV (at times the film seems a real sitcom also becoming too obvious theatrical origins of the story) are able to trace the non-respect of tempos, from the beginning, this comedy of errors that could give more if it arises forcefully hit a rhythm. Some

dialogue, usually Jerry Lewis, has something of grace but not the character of a housekeeper Thelma Ritter who does what he can "is used, yet she is perhaps the best film along with an issue raised and surprise to find the controversial comic in a vis more" adult. "Of course not John Rich the film gives the necessary impulse for the work to exploit the comic potential that posee.A Notwithstanding the above the product can be isolated at times but these do not make us overlook its flaws because it is an uneven comedy confusion / clutter in which the stereotyped characters are constructed through cultural clichés that serve and of course fun element.

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Smith Goes



Mr.Smith Goes to Washington, Frank Capra , 1939, USA, James Stewart, Jean Arthur , Claude Rains.

The controversy surrounding the figure of Frank Capra is without prejudice to deny its importance: the huge commercial success of his films throughout the decade of 30, lined with countless awards obtaining blends with the favorable critical view of the época.Probablemente Capra is the director of the depression era or at least he knew better connect with the American public that período.Aún today has proven enormously popular with the controversy mentioned above, its supposed sentimentality and idealism and naive to some other place exarcerbado patriotism for his work but for many entredicho.Sin Capra is the director of the good feelings and of illusion.

This time the filmmaker continues his triptych (which started three years earlier The Secret of Life, a work that Mr. Smith Goes saved obvious parallels, and culminating with John Doe ) which displays the corpus of his philosophy heroes populated by simple, honest, idealistic people who are faced with powerful elements as may be corrupt politicians and opportunistic tycoons so that the value of the common people is enhanced and the freedom of the individual as such is introduced in the basis for the development of society.

Smith Goes is inserted into the play "Capriana" with all the consequences, the film pursues the controversy since its inception and from different posicionamientos.Cuando was a project sought by other studies, the office headed by Joseph Breen , regulating the implementation of the guidelines set by the Hays Code alerted them about the suitability of portraying Senators U.S. as corrupt politicians what would be seen as an attack on the country's institutions, and finally the Columbia of Harry Cohn opted to carry out the film under the command of Capra and the script written by Sidney Buchman (who later became victim Witch Hunt) and the censors were satisfechos.No members of the American political class and some members of the press who after the pre-release feared that the film is in full pre-war situation, could offer a negative image the USA. However, the work was well received by critics and the public flocked to theaters becoming the film in a great commercial success shipping the dread that the work will generate anti-American sentiments because of corruption displayed on screen via rápida.Lejos to create the feeling the film was banned in European countries controlled by regimes totalitarios.Y no doubt that certain values \u200b\u200bso characteristic of the American people as the defense of individual freedom and patriotism are celebrated at the filme.Y it is possible by the ability to access Capra in the mythology of the ideology of the average American, the sequence assembly in which the protagonist visits the monuments of the capital USA is noteworthy for its advocacy of the country and democracy.



Directed with brisk pace and skill (the camera set in the famous final speech serves as an example) the film denounces the corruption policy, but exudes an exaggerated patriotism for American and who is not nearly as entire filmography "Capriana" which never delves into the problem, we present it as a contingent individual behavior, ie, accident and not as the essence of the social model, rooted in the cinema of the current director escapista.Eso yes, documentation work of the film is notable as the recreation study Senate and their rooms is accurate and educational sense to explanations that make the process followed for approval laws is commendable.

Without the emotional capacity of that The Secret Life and with fewer doses of comedy, Mr. Smith Goes introduces a cast of notable side ( Thomas Mitchell, Guy Kibe, Eugene Pallette or same Claude Rains) and a charismatic pair of protagonists: Jean Arthur and left profile and James Stewart to be praised in his role as good guy, honest and simple (and naive and like Longfellow Deeds not hesitate to undertake a clean smack in certain situations), patriot idealist who is appointed senador.Sus incidents are resolved in the only way possible, taking into account the development of the story: the ending is abrupt to be consistent even given the non-inclusion in the final assembly of the epilogue shot.

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Shaft in Africa



Shaft in Africa, John Guillermin, 1973, USA, Richard Roundtree, Frank Finlay , Vonetta McGee.

The third installment in the saga of African American detective created by Ernest Tidyman , writer and screenwriter, among others, of The French Connection and the first two adventures of the character on screen is a good sample of the 70 films in relation to the display of a constructed type violencia.Nos find the shadow of Bullitt being a kind of Harry Callahan and James Bond one (although the trail of bodies left in its wake almost Rambo is worthy heir own) that represents another individual capable of taking the law into their own hands and fix things to so, in short all Carter, Callahan and anticipate Shaft degeneration involving vigilantes vigilantes who populated the film posterior.En film of the decade the presence of explicit violence is crucial, and this black version of Dirty Harry excepción.Y is not whether violence is openly treated no less so is the sex, nudity, sexual content dialogues open up delirious female character whose main feature is the nymphomania.



course the film is harvesting his time but most of all is a classic blaxploitation that probably takes the pull of the genre's most popular character and most commercially successful obtuvo.En this time private investigator Incarnate by Richard Roundtree is recruited to dismantle a trafficking organization humanos.Si While the subject is hard and today treatment that gives its writer, Stirling Silliphant , analyze factors explaining away or spend the minimum necessary force, is developed from working as a pretext frivolously to represent action or romantic situations in which it is involved the important subject personaje.La still in full force today and the team travels to Ethiopia to shoot the film could have given more of themselves and not just for show African country locations.

And if there is a characteristic feature in these films is none other than the music, work in this case Johnny Pate, arranger Major Lance, among others. Pate makes an effort to try to integrate the music into the story, a goal that meets at times, and has the legendary group The Four Tops to interpret the main theme soundtrack to signing a correct but that is far from major " soundtracks "of gender (Isaac Hayes own for the first delivery of the character, the impressive Marvin Gaye Trouble Man to or the lush of Superfly Curtis Mayfield ).

director John Guillermin signature style with its peculiar, distinguishable inter alia by the use of handheld camera that gives the image of a movement that many times is present in the film and the contemporary series, while more polished, a film that meets certain minimum standards quality and that has its roots in the temporal context in which it was filmed so remarkable for the representation of certain aspects such as the use of film elements (some camera movements and compositions, color). The care in the action scenes is above the average of the products of the genre but his script is disjointed causing an irregular rhythm despite the succession of incidents, many of which run without too much success and some occur haphazardly (the sexual encounter with Germany seems an imposition rather than a circumstance that occurs naturally) triggering this narrative development sometimes too crude, facts that weigh down the film and to be added the lack of seriousness with which address such issues as human trafficking and genital mutilation femenina.En the other side of the balance lie intelligent self-referrals (inventions and James Bond), the approach to any situation and almost continuous action in addition to putting on the table named items as well as the message of denunciation of racism acting out the character leading to a devastating phrase the commissioner francés.No forget that despite the "crossover" enjoyed by John Shaft blaxploitation the target audience had majority black community in the U.S. . While he's away from urban environments which generally operate the accounts of these movies, Shaft in Africa can be a good choice to view gender.

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Jubal



Jubal, Delmer Daves, 1956, USA, Glenn Ford, Ernest Borgnine , Rod Steiger.

example of the flexibility of Western , Jubal is representative sample of work Delmer Daves, one of those directors who are hiding behind the big names Seventh Art but which deserves be discovered or revised from time to cuando.Con classic style and understated the director, who also participates in the script-build a story inspired by the tragedy "Hamlet-like" of Othello which is the construction of the characters and their relationships on the action so that the film is particularly interested in his shed in vain psicológica.No characters are trapped by human emotions, desire, ambition, loyalty, jealousy, and his reactions to them are the axis on which the narrative revolves.

psychological tension distilled with simplicity by Daves reached levels high points at times but the outcome is long and weak compared to the rest of the film and still have some interesting symbolic levels (hook and rope) and others of remarkable visual power (the legs of horses around the Yago this version), before the movie and gave us a good aroma film and we had caught the profile displayed by the characters and the ties that go uniéndolos.La story begins tinged "noir" (a guy with a mysterious past appears on a ranch where he lives a "femme fatale" married to the benefactor of that) then unfolds as a kind of tragic melodrama in which the appearance of Western appearance is only because the story could be developed in any other ámbito.Si it is true that the landscape provides a framework for the narration is stunning, and is beautifully filmed in CinemaScope -how to benefit this kind of widescreen! - , no more than a context in which human drives they unfold gaining prominence all.



A division led by the cash right Glenn Ford and between Charles Bronson appears recently changed its name and consolidating his career, the music of David Raksin and know-how of the filmmaker, a man with extensive experience as a writer when decided to go behind the scenes in the 40's, along with the stunning landscape of Wyoming are sufficient elements to approach this charming Western .

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Stagecoach



Stagecoach, John Ford , 1939, USA, Claire Trevor, John Wayne , Thomas Mitchell . Movie

important for Western , important film for the director, major film for the actor, big movie in the history of cinema in the end. Diligence The film is a mythical but very high quality technical and narrative and visual beauty sometimes overwhelming conferred by the style of one of the great filmmakers as majority consensus (when Orson Welles asked about his three Favorite directors said: "John Ford , John Ford and John Ford ).

the filmmaker's return to the genre that would define and which define ("My name is John Ford and I Westerns") after 13 years during which he directed such diverse films was a Rubicon to the same genre as the decade of the 30 were moribund after its silent splendor, success with the advent of the talkies and the difficulty of integrating the necessary dialogue now with the action property of this type of film, began to decline to the point of being considered as a product of Series B . No doubt Stagecoach marked the evolution of the genus laying the groundwork for its classicism of the 40 and 50 and further revisionism ( Peckinpah) and the emergence of sub-genres of all kinds ( Spaghetti ). Stagecoach Western revitalized so that it could pass through the new paths opened by her, reaching for the gender status cine.La character building rich, deep and complex (if we exclude the occurrence and treatment of Indians who basically acts as a mechanism to support the suspense of the plot), not forgetting the action inherent in this kind of films and caring atmosphere in which the story takes place in addition to the use of landscape as an element endowed meaning in the same-but here is an outline of what would of whether the inclusion of Nature as a character in the genre and more specifically the role of Monument Valley in the films "Fordist" is introduced for the first time allowed to scan the horizon género.Queda the maturity of the landscape as axle set narrative and set of concerns inherent character of this category of movies.



In an intense visual beauty that emphasize the lyrical composition of deep inner planes and lighting (designed by Bert Glennon ) and superb technical management sites and innovative camera movements interesting (above diligence, for example), the film overcomes the spatial limitation and agility through the deployment of certain characteristics "Fordist" exuberant aesthetic sensibility, the location on the famous-now-desert, the splendid use film technique (not just camera movement but also the functionality mentioned narrative elements of the environment-see food scene or dialogue-), political concerns (the right to vote, a reference to of War Civil ) and social (relationships between characters of different classes) and exposure of the relationship between the adult and young, not to mention the military parade that so often reproduced the realizador.El poetic visual style emphasizes purity Ford the script of a millimeter divided into three acts (in this regard we should remember the repeated viewing, the legend than 40 times, by Welles of the work in preparation for his great Citizen Kane) that displays a profusion themes (social prejudice, alcoholism) headed by the redemption story of the characters "less morally acceptable," but that in extreme situations act as higher values, noble and humane than the concomitant resto.Idea Butterball, story Short Guy de Maupassant that inspired the story of Ernest Haycox jeans in relied Dudley Nichols to write the script of the film.



before Western Movie , the work complements its visual aesthetic diversity of topics focusing on the relationships established between the characters but incorporating in the final third of the most celebrated stunt and recalled that were shot in the decade of the 30 (and for many one of the best of all time) with the assault on the vehicle's title and its defense film The Stunt Yakima Canutt was involved in the design and implementation of the final duel misma.Asimismo the traditional culmination of the sub-plot of vengeance that sinks its inception in expressionism is solved with a strange beauty Ford and serves to round off the decent relato.Precisamente the actor who stars in this sub-plot of revenge between the proper cast excels, though Carradine is remarkable, "his long entry has become one of the most celebrated in film history with this abrupt shift camera crowned in a magnificent foreground, the rest is history: John Wayne is one of the icons of the Seventh Art ; actor's presence (please check it out original version to see diction) was already a classic of the genre (of course if we consider the status of the foregoing, it is not saying much) and with his Ringo Kid achieved the recognition they had been denied until that time and shaped as a great film star in the sky. Stagecoach was a great opportunity for the actor after his previous role in a film by Raoul Walsh decade earlier became a complete failure, this time things were very different to reap great success of the work audiences and critics (endorsed with the achievement of two awards in and a few Oscar nominations) Wayne catapulting toward a professional career as exalted as one of the most emblematic figures of the genre and cinema.



Stagecoach takes significance as a cornerstone in the evolution of Western and stands as a mark founding of the classic patterns as well as being the trigger of one of the most legendary races and interpretation involve the return of Ford gender so dear to him, the review and adjustment of the genre that made it out for the director to undertake or continue a path with multiple paths traced by other engineers ( Hawks, Mann ) and today still has not reached the end of the line, establishing the Western as one of the major genres of film, hence the significance of The care for it.