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Only Angels Have Wings



Only Angels Have Wings Howard Hawks, 1939, USA, Cary Grant, Jean Arthur, Thomas Mitchell.

The splendid ode to friendship in this movie firm Howard Hawks must be one of the most deep and emotional that have rolled jamás.De extreme sensitivity Only Angels Have Wings fits naturally within the corpus Hawksiano "delves into key issues as developed throughout his work filmografía.Una which highlights their ability to roll films of any genre to be a pioneer in some of them ( Scarface, 1932, violent criminal foray into film) and reaching the highest levels in others (the same Scarface, the hilarious comedy The Bringing Up Baby , 1938) succeeded in developing a clear personal imprint under the rule of the studies through a lively style and quick with a camera and undetectable sober, far from other great directors like his contemporaries Hitchcock, Ford or Welles with a visual mark but the universe acusada.No "hawksiano" is readily identifiable, and, on this occasion, film one of his most personal, not only to include autobiographical episodes ( Hawks was a lover of motor sports and became a pilot cars and planes) or adapt a story itself, co-written with Jules Furthman the script, produce and direct, but to compose a story in which the loyalty and camaraderie (authentic leitmotifs of his work) are the axis on which it pivots.

of the concepts of friendship, honesty and loyalty and how people face death in this film is that it reflects the vital nature Howard Hawks and his way of trying life.This understand the concepts of capital importance for filmmaker they are presented with an apparent lightness and superficiality but as the emotional depth of the film very hondo.La construction of a magnificent character played by Cary Grant is symptomatic of the issues raised throughout the story: the spiritual leader of the group is a understanding person, caring and selfless you have to disguise their true feelings under a shell of hardness in order to unite the community they represent the aviators and tackle their intended fatalism given the difficulty of the undertaking diariamente.El rushing drama death is taught without falling into sentimentality and the viewer is aware of its continued presence for protagonistas.A Unlike many director's films, this time the female character is limited to breaking into the male world of the pilots and try to take their code of ethics to be the romantic subplot of the film's least successful probably because the filmmaker is focusing its efforts on the approach of the values \u200b\u200bquoted on any matter, about this we can say that the appearance of a young Rita Hayworth , the role that launched her fame, the story does not turn into a possible love triangle but develops into a much more interesting such as the communication and understanding within a relationship.



entertaining movie, much more than an adventure story, in which Hawks succeeds in translating their concerns, as always with a touch of humor, and manages to capture the definitions of the ideas of loyalty and friendship (especially in the relationship between Carter and Kidd , so often displayed in his films) in addition to including a good story of redemption, star starring Richard Barthelmess silent in what was his re-appearance after a hiatus of three años.No forget aviation scenes truly remarkable for the time taken in an imposing mountain landscape plays a critical role in the film trama.Precisamente was rewarded with a nomination in the first official edition of the Oscar that reward these spectacular special effects scenes that demonstrate the capacity for innovation and anticipating Hawks, in this respect include the discovery of the coin tricks would be used by Bob Kane to define Dos Caras / Harvey Dent in the Batman comic (reason recovered by Christopher Nolan in adapting to the character held in 2008, The Dark Knight ).



Only Angels Have Wings won commercial success but spends more or less unnoticed by the magnitude of the releases that occurred the year of its release (the mythical 1939) and is an interesting product that serves as a pretext to see the work of one of the greatest directors yesterday , today and probably forever.

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Notorious



Notorious, Alfred Hitchcock, 1946, USA, Cary Grant, Ingrid Bergman, Claude Rains. Notorious

represents Hitchcock's filmography particular step of Rubicon in this film as the vital signs of the work of the director, and announced from the English stage, total charge prominence and are defined from conception of a visual universe itself and an exquisite use of film technique to a recurring theme as the choice between love and deber.En this regard Notorious is the most personal of the great director and giving a quantum leap to the date of realización.Mucho had to see the role of producer to the director assumed the mantle of RKO less study-study-because the levels of creative freedom which were enjoyed embodied in this work recognizable and inimitable style that through its minimalism and a seemingly cold tone tells one of the greatest love stories with sexual tension which have been run ever, a story of deep human emotions camouflaged with Mc Guffin of rigor and visionary as it is camouflaged uranium in wine bottles at a time which had not yet released the atomic bombs on Hiroshima and Nagasaki , though the film started shooting shortly after the bombing choice Mc Guffin occurred prior-.Qué would have happened if David O. Selznick had followed the head of the project will never be known but the sale of any package (story, director, screenwriter and lead actress) for RKO to raise funds with which to finance Duel in the Sun , led to Hitch take charge of production and overcome his previous film, under the command of the magnificent producer, Remember , which had as here written by Ben Hecht and role of Ingrid Bergman .

The technical virtuosity Hitchcock is shown in the use of environmental elements both from the point score (excellent score from Roy Webb , strong and melodramatic, but become important underlying) and visual (profusion of very first first plans, use of subjective camera to show the point of view of the characters) and excels in the famous plane that starts from the top of the stairs and ends in a close-up of the key in the hand of Bergman . The director's ability to create an economy of means with a remarkable depth of this film is amazing.



One of the biggest commercial successes of the year for RKO in adding more profitable, Notorious begins with a credits today may be outdated to the younger (more if compared with the recent Source as buildings that share both), not the passionate story that reveals, interpreted in addition to Swedish actress, by Cary Grant sublime-note the rigidity of his body language, and by a Claude Rains that embodies a "villain? prototypical Hitchcock : vulnerable and elegant, and is deceived in the conclusion of the film feel genuine concern and / or pity for him at the descent into hell represented metaphorically when accompanying the pair of lovers under the scrutinizing gaze of his fellow Nazis escalera.Una again by the "bad" hitchckonianos hide under a normal appearance (the Dr. Anderson is a man even caring) and The 39 Steps or With North by Northwest.



Notorious definitively developed many of the components of the Hitchcock film : the struggle between love and duty raised in London Girl and / or becomes more Sabotage depth and is presented in a Devlin repressed and bitter, the subjective point of view aimed at The 39 Steps and worked in Remember is perfected here and use the resources of the medium reaches a peak emerging in this area extraordinary work with the camera in this film it is reevaluated with each revision that is made of same.

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Destry Rides Again George Marshall, 1939, USA, James Stewart, Marlene Dietrich, Brian Donlevy.

in key Western comedy rolled to slipstream the impact of Stagecoach and noted for the satire of gender stereotypes and the investment of male / female to the point that the resolution of the plot Women play an active and crucial role, having also another high point in this direction (a fight between women) ... the active participation of the women may be explained by the collaboration on the screenplay Gertrude Purcell but in any case is an especially rare in the genre and so explicitly.



The unusual nature of the film is reinforced by the role of a hero who appears throughout the narrative against the use of weapons and to dialogue and calm temperament, but the expected transformation character suffers to resolve the dispute in question is hit and there is little explained, breaking down the entire value of the identity built along the story at the conclusion of the original approach, however filme.No is an added value of this film and an element stress and so is the meeting of two legends of the interpretation of the Hollywood film : a Marlene Dietrich low hours and the other James Stewart, in full consecration.

The film garnered great success of both public and critical re-launching the career of the German-born actress is correct in a role reminiscent of hatching (the Lola-Lola in The Blue Angel ) early decade and that he used to sing one of his famous songs: See what the boys in the back room Will Have . Precisely their participation and the same Stewart is another of the pros to approach Western this functionality different classic directed by one of those unknown directors but long way since the dawn of cinema, George Marshall, who specialized in Westerns and comedies and returned to the same story years later (Destry , 1954); argument that adapts a novel by Max Brand prolific little or nothing to do with it and that was previously filmed in 1932 in a film starring Hollywood's first cowboy , Tom Mix .

Stewart's debut in a genre that and it would be an icon passes for a simple fun, a sort farce of the genre that deserves to be seen as a curiosity to be a Western unusual release also served for Dietrich in cowboy movies and manages to entertain without more, becoming history in the background and more if takes into account the year of its completion, add branded by many as the best for the film "Hollywood" because it premiered such American classics as The Wizard of Oz , What The Wind , Knight Without a Sword or Stagecoach, which more than meant as milestones in various aspects and resulted in a definite impact in either direction.

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Arizona Shaft / Red Harlem Nights



Shaft, Gordon Parks, 1971, USA, Richard Roundtree, Moses Gunn, Charles Cioffi.

is not the first, it may be the best but it is certainly the quintessential blaxploitation or at least the best known product, which proved to kick off a series of films aimed at the emerging market for African-American audience the early seventies and, surprisingly, in this case achieved great commercial success becoming a whole "crossover" and still today enjoy the status of cult film ... and the detective John Shaft is a type built correctly from the charisma provided by the actor who plays him ( Richard Roundtree), the impressive soundtrack of Isaac Hayes and / or aspects that raise the quality of the result above - -well above the average Metro género.Sin doubt hit home with this movement to bring people of color and the accounts show: at a cost of half a million dollars revenue soared to 13 .

The first commercial film with all black protagonist is based on the character of the writer and screenwriter Ernest Tidyman white and under the baton of multifaceted Gordon Parks (the first black director to lead to a large studio) is erected on a representative rate at the time, black version of Bond or Bullitt (reads as advertising) and Harry , tough guy and manly he can with everything that gets in their way; Shaft is a charismatic hero, defiant and proud that does not hesitate to employ methods expeditivos.El explicit treatment given to the violence (although current standards used to not be surprised) began in those years and this film is a good example highlighting however, even more, the frank sex (interesting the presentation of documents sexual) coming to pose an interracial encounter.



The portrait of the underworld of a big city provided by the good use of the excellent locations and some air "noir" combined with a fast pace action and a script that respects the "tempo" dramatically in the beginning of the story but later decay to reach a final anticlimactic open but failed to lend the film a quality plus seasoned with the composition of Roundtree, in particular, the soundtrack to Hayes and results in a more entertaining film that does not interrupt digna.Un police and is at the height of other characters similar billboard filled the time and even a one point above them and a few of the righteous avengers who came, and come-later.

blaxploitation The most profitable history definitively clears the path opened by the same Gordon Parks (The Learning Tree , 1969) and especially by "Coffin" Johnson and "Gravedigger" Jones , a pair of tough detectives Harlem created by Chester Himes that were made into movies in 1970 by Ossie Davis (Cotton Comes to Harlem ), a path that signaled a more experimental films, raw and politically incorrect history directed, written, produced and performed by Melvin Van Peebles ( Sweet Sweetback's Baadasssss Song , 1971) whose rudeness problem for American society becomes more watered down so that the commercial operation of the MGM is accomplished in this cult film that puts a black man in the middle of the action, the leitmotif of a genre that had its heyday in the '70s with stereotypically different subgenera whose main ingredients and warns the film at hand : colloquial language, sex, violence, urban environment and of course a peculiar aesthetic of the decade (who likes find undoubtedly added value in the film). In any case, independently of the varying quality of this movie is obviously facilitated the advent of Spike Lee or John Singleton post and influenced directors who enjoyed great prestige at present, in this sense, Tarantino and Jackie Brown homage to the genre is certainly permitted, even Pam Grier recover who played with the Tamara Dobson female alter ego of John Shaft and Youngblood Priest in films of the genre.



Sea as a product designed to surround a new market or proclaims a community protest historically battered inserted into a key period of social evolution (the times Tommie Smith and John Carlos raised their fists were the same ) this story is as entertaining and nimble work given the high dose of action and germinated in gender, in addition, you should pay particular attention to how their seminal work provided it. The hard detective prototype presented is pretty decent and at times capture the essence and the environment by moving the Marlowe, Spade and the company of the most classic and pure "hardboiled."